On September 27th 269 lot will make up the sale called “L’âge d’or du rail – Souvenirs de la Compagnie Internationale des Wagons-lits”. A good portion of the sale consists of posters commemorating the various voyages and cars of the Orient Express by such giants such as Cassandre, Guy Georget, and Joseph Daviel de la Neziere, whose poster “Simplon-Orient-Express, Alep” (1927) is illustrated in my article and part of this sale. A favorite of mine is Cassandra’s 1929 poster for L’Oiseau Bleu (lot 117 (€2,500 – €3,500) is a beauty and a tribute to the Ibis, a kitchen car decorated with marquetry medallions of Greek dancing girls. Its blue interior inspired Serge Diaghilev to commission the ballet Le Train Bleu.
Some of the best craftsmen of the 1920’s worked on the interiors of the train which can now be part of any interior. The sale features an important collection of architectural fittings from the train such as original Morison African mahogany marquetry panels, sold in singles or a set of seven (lot 166, €8,000 – €12,000), as well as René Prou’s doors and toilets from his Luxe model cabins (lot 214 and 215, €1,500-€2,500 and €7,000-€10,000). Most impressive is an entire Prou single compartment made of African and Cuban mahogany with a decorative floral inlay (lots 211 €12,000-€18,000). Prou was responsible for the design of four-hundred train compartments for the Compagnie Wagons-Lits from 1926-1929. The ones being offered by Christie’s are from 1929. The compartments included a seating area with a divan with crème colored upholstery decorated with geometric patterns, considered very chic for the period, and a sleeping area with a pull down bed bunk and a mahogany night table. They also had a personal washbasin in the corner of cabin which was hidden behind bowed lacquered doors. Some sleeping cars had extra large lavatories with a large sink and a marble counter-top.
The other artists that left a large imprint on the design of the train was René Lalique. The glass artisan’s molded glass panels, Figurines et Raisins, from the Cote d’Azur Pullman Express (lot 143, €40,000-€60,000) – are identical to the ones in the collection of the Virginia Museum of Fine Art. These molded clear-glass panels of “Bacchanalian maidens”, or nude neo-classical figures holding grapes, with smaller molded glass panels of grapes and vines, were set into mahogany.| M | T | W | T | F | S | S |
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As you remember from the last time you discussed the Orient Express, I love luxury train travel in general and the Orient Express in particular. It is my goal to travel on all long distance luxury trains before I shuffle off this mortal coil.
This stuff is just beautiful. Imagine owning that Lalique glass or that Prou mahogany compartment. But I suppose out of context, the items from the train become just any other precious art. Their history is the important part.
Another great link thanks
Hels
http://melbourneblogger.blogspot.com/2011/03/pera-palace-istanbul-and-orient-express.html
I wouldn't mind to own a piece of this incredible train myself!!!
Great post…
I agree! I am really curious about who the buyers at this sale were. Were they private clients or institutions? I think that some of the larger pieces, like the furniture, belongs in a museum. And everything sold.